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This installation is a complex of crane broken parts that are
made by strings. Only two elements are seen immediately
when entering the room,
A guitar and a circle of cogwheels. The cranes are invisible
at first but each step deeper into the space revealed them.
The slow exposure to the work doesn’t allow the viewer to
name what he sees as quickly as we usually do, and by that
aims to linger in the moment before a strict division between
the observing subject, and the object of looking is created.
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